| < | G L B R I E R L E Y
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| E D U C A T I O N | |||||||||
| 2007 | M.F.A. Goldsmiths, London (Previously gained an MA from the Royal College of Art). | ||||||||
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| S O L O S H O W S | |||||||||
| 2021 | KATABASIS, Feldbusch Wiesner Rudolph Gallery, Berlin, Germany | ||||||||
| 2017 | SOLO SHOW, Feldbusch Wiesner Rudolph Gallery, Berlin, Germany | ||||||||
| 2015 | THE IMPOSSIBLE HEAP, Feldbusch Wiesner Rudolph Gallery, Berlin, Germany. | ||||||||
| 2013 | TENDER FOLDS, Feldbuschwiesner Gallery, Berlin, Germany | ||||||||
| 2012 | NEW PAINTINGS, Carslaw St* Lukes, London, Catalogue | ||||||||
| 2010 | MATERSATZ, Madder 139 Gallery, London. | ||||||||
| VOLTA NY 2010, solo presentation, Madder 139 Gallery, USA. | |||||||||
| 2008 | NEW WORKS, Natalia Goldin Gallery, Stockholm, Sweden. | ||||||||
| 2005 | THE NAUGHTY PUPPIES, Firstsite contemporary, Colchester, UK. | ||||||||
| M I X E D S H O W S | |||||||||
| 2026 | AUCTION, ART ON A POSTCARD, INTERNATIONAL WOMAN'S DAY. Curator Meg Molloy. |
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YOU & ME #02 .(Artists invite Artists. Feldbusch Wiesner Rudolph Gallery, Berlin, Germany. |
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| 2025 | IN BETWEEN, Von Otto Dix bis Marcus Lupertz, Gallerie Michael Hass, 106 Berlin, Germany. | ||||||||
| ART ON A POSTCARD Auction for The Hepatitis C Trust. | |||||||||
| 2023 | SMAC-BERLIN 2 Person show. | ||||||||
| THE TEARDROP EXPLODES,Collection of Wolfgang Schoppmann. Museum Villa Jauss e.V Fuggerstraße 7 87561 Oberstdorf. Germany July--October. | |||||||||
| WUNDERSAME WELTEN. Von René Magritte bis Daniel Richter. Collection of Anna und Michael Haas, Berlin. Museum im Kleihues-Bau. | |||||||||
| BELANTI. ANIMA-MUNDI Gallery, Cornwall, UK. Online from 1/5 – 9/6/23 | |||||||||
| 2021 | JOHN MOORES Painting Prize, Walker Art Gallery, Liverpool. |
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| 2020 | CRYSTALS PLUS, Curator Enno Wallis, POLARRAUM HAMBURG, Heussweg 89 20225 Hamburg, Germany. |
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| 2019 | FEELING CALLED LOVE, Collection of an Idiot, Die Sammlung Wolfgang Schoppmann,.Kunstmuseum Bochum, Bochum, Germany. |
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CLOUD, METEOR AND STAR, Car Drde Gallerie, IT-40122, Bologne, Italy. |
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| WONDEROUS WORLDS, Gallerie Michael Hass, 106 Berlin, Germany. | |||||||||
| 2018 | DAS LIED DER DINGE, Museum fur Aktuelle Kunst - Sammlung Hurrle Durbach, Almstrasse 49, D-77770 Durbach, Germany. |
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| NGORONGORO 2. Lehderstrasse 34 Berlin, Germany. | |||||||||
| BLACK BOX. KulturBäckerei, Dorette-von-Stern-Str. 2. 21337 Lüneburg, Germany. |
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| DOING IDENTITY. Die Sammlung Reydan Weiss.Kunstmuseum Bochum, Bochum, Germany. | |||||||||
| 2017 | PURIFICATION. Washington-186 @ Aeroplastics, 186 rue Washington, B-1050 Brussels. | ||||||||
| PAINTING XX MALERINNENNETZWERK Berlin - Leipzig Und Geladene Kunstlerinnen. Sparkassenstiftung Lüneburg, Dorette-von-Stern-Straße 2. 21337 Lüneburg. | |||||||||
| SO IT GROWS, Collection Swagemakers, Centraal Museum. Utrecht. 27 January – 7th May. Curator, Edwin Jacobs. Catalogue | |||||||||
| 2016 | MY ABSTRACT WORLD, ME Collectors Room Berlin / Olbricht Foundation. Auguststrasse 68, 10117 Berlin, Germany. |
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MODELS AND MATERIALITIES Curator Frances Woodley, BAYART gallery, Cardiff, UK. |
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I PREFER LIFE, Reydan Weiss Collection. Curators, Wolfgang Schoppmann, Peter Friese & Guido Boulboullé,, Weserburg Museum of Modern Art, 25th anniversary, Bremen, Germany. |
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THE ABJECT OBJECT,Curator Geraint Evans, Wimbledon Space, UAL, London. |
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| 2015 | (DETAIL), Curator Andrew Bracey, H Project Space, Bangkok and Transition Gallery, London 2014, Usher Gallery Lincoln, UK 2015 |
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STILL LIFE, AMBIGUOUS PRACTICES, Curator, Frances Woodley, Aberystwyth University School of Art Gallery and Museum, UK. |
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IN SCHONHEIT AUFERSTEHEN, Curator, Bernd Wurlitzer, Galerie Patrick Ebensberger, Berlin. |
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ALLES WAS ICH MAG, FAST, Curators, Philip Grözinger & André Odier, Schau Fenster, Berlin. |
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| 2014 | THE HALLUCINATED WORLD, Painting on the Edge of Reality, Curator Marc Wellmann, Haus am Lützowplatz, Berlin. |
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100 PAINTERS OF TOMORROW, Christies Gallery & Beers Contemporary, London Art Fair. |
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FLEURSDUMAL, Lamb & Lion Gallery & Charlie Smith Gallery, London, |
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| 2013 | THE VIEWING ROOM, All Visual Arts Gallery, St Pancras Crypt, London. |
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PRESENT TENSE, FUTURE PERFECT, Feldbuschwiesner Gallery, Berlin, Germany. |
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| 2012 | WONDERFUL – HUMBOLDT, KROKODIL & POLKE, M.E. Collectors room, Berlin, Germany. |
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METAMORPHOSIS: THE TRANSFORMATION OF BEING, Curators, Joe La Placa, Wolfgang Schoppmann, All Visual Arts gallery, London. |
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| UBERALL UND NIRGENDS, The Reydan Weiss Collection, Curator: karin Pernegger, Villa Jauss, Germany. | |||||||||
| EU - 27 ARTISTS | 27 COUNTRIES, Curator,Tanya Rumpff. Museum Tongerlohuys, Netherlands. | |||||||||
| 2011 | A PIECE OF PAPER, Madder 139 Gallery, London, EC1. | ||||||||
| MEMORIES OF THE FUTURE, curator: Wolfgang Schoppmann, La Maison Rouge, Paris, France. | |||||||||
| FOUR in PLAY, Madder 139 Gallery, London, EC1. | |||||||||
| SCHWARZ CONTEMPORARY, Berlin, Germany. | |||||||||
| RESTLESS NATURE, Newlyn Gallery, Penzance, UK.. | |||||||||
| RESTLESS NATURE, Curators Day & Gluckman, Collyer Bristow Gallery, London. | |||||||||
| 2010 | BLACK, Madder 139 Gallery, London. | ||||||||
| JOHN MOORES Painting Prize, Walker Gallery, Liverpool, UK. | |||||||||
| 2009 | BORDERLAND, Curators Day & Gluckman, Collyer Bristow Gallery, London. | ||||||||
| 2008 | SALON 08, Vine Space, London. | ||||||||
| WHISPERS OF IMMORTALITY,Curator Joakim Borda, Natalia Goldin Gallery, Stockholm, Sweden. | |||||||||
| LIGHT DIVIDED, Curator Ben Austin, Louise T Blouin Foundation, London. | |||||||||
| ARTFUTURES, Bloomberg Space, London. | |||||||||
| 2007 | LAST OF THE URGENTS, Colony Project Space, Birmingham, UK. | ||||||||
| THE TEARDROP EXPLODES, Curator Karin Pernegger, Stadtgalerie Schwaz, Austria. | |||||||||
| FOREIGN BODY(IES), Curator Gerard Hemsworth, White Box, New York. | |||||||||
| 2006 | DEFINING THE CONTEMPORARY, Curator Andrea Tarsia, Whitechapel Gallery, London.. | ||||||||
| CELESTE PAINTING PRIZE, London. | |||||||||
| 2005 | ACID DROPS & SUGAR CANDY, Transition Gallery, London. | ||||||||
| LONDON NOW The Art's Centre, St Petersburg, Florida, USA. | |||||||||
| 2004 | JOHN MOORES Painting Prize, Walker Gallery, Liverpool, UK. | ||||||||
| EASTEND ACADEMY, Curator Niru Ratnam, Whitechapel Gallery, London. | |||||||||
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A R T F A I R S |
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| 2026 | VOLTA, Basel. A Modest Show. | ||||||||
ROTTERDAM ART FAIR. SOLO/DUO. A Modest Show. |
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LONDON ART FAIR 2026. A Modest Show. |
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| 2025 | MINOR ATTRACTIONS 2025. London. A Modest Show. |
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BRITISH ART FAIR (SOLO) with A Modest Show. Winner of the Solo Contemporary Artist Award. |
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ROTTERDAM ART FAIR. SOLO/DUO. A Modest Show. |
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LONDON ART FAIR 2025. A Modest Show. |
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| 2024 | THE MANCHESTER CONTEMPORARY. UK Art fairs. A Modest Show. | ||||||||
| MINOR ATTRACTIONS 2024. London. A Modest Show. | |||||||||
| 2022 | ART BAD GASTEIN, Austria. Feldbusch Wiesner Rudolph Gallery. | ||||||||
| 2014 | ART 14, London. | ||||||||
| 2011 | VOLTA 7, 2 person presentation, Basel, Switzerland. Madder 139 Gallery, | ||||||||
| 2010 | VOLTA, N.Y. (solo). Madder 139 Gallery, | ||||||||
| 2008 | ZOO ART FAIR, Natalia Goldin, Royal Academy, London. | ||||||||
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C O L L E C T I O N S |
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| DE NODE FOUNDATION, Gent. | |||||||||
| MURDERME Collection, Damien Hirst. UK | |||||||||
| OLBRICHT Collection, Germany. | |||||||||
| REYDAN WEISS collection, Germany. | |||||||||
| ROBIN WOODHEAD, CEO Sotheby's International. | |||||||||
| SOR RUSCHE SAMMLUNG, Thomas Rusche, Germany. | |||||||||
| HENRI SWAGEMAKERS Collection, Netherlands. | |||||||||
| HURRLE DURBACH Sammlung, Germany. | |||||||||
| ANNA und MICHAEL HAAS, Berlin. | |||||||||
| WOLFGANG SCHOPPMANN, Germany. | |||||||||
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| B I B L I O G R A P H Y | |||||||||
| 2018 | Contemporary British Painting. Editor, Matt Price, Published by Anomie, Autumn 2018. |
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| 2015 | GQ Magazine, "15 of The Best Artists Working Today | ||||||||
| 2014 | Thames & Hudson, "100 Painters of Tomrrow", Selected by: Barry Schwabsky, Cecily Brown, Kurt Beers, Tony Godfrey,Yuko Hasegawa, Suzanne Hudson, Jacky Klein, Gregor Muir, Valeria Napoleone & Philip Tinari.. | ||||||||
| Suddeutsche.de, Ruth Schneeberger, Schöne Hallus, böse Träume. | |||||||||
| Der Tagesspiegel, "Malerei am Rand der Wirklichkeit", Simone Reber. | |||||||||
| 2012 | Contemporary Art Society "Hobson's Choice", Paul Hobson, director's favorite exhibition of the week. | ||||||||
| Solo show at Carslaw St* Lukes. Catalogue text by Martin Herbert. | |||||||||
| 2010 | D’Art International, “Top 10 at the 2010 New York Art Fairs”, Erin Kennedy. | ||||||||
| Artist Newsletter, “John Moores 2010” Paul Cordwell. | |||||||||
| Saatchi Art News, Critics Choice. | |||||||||
| 2008 | Konsten, “GL Brierley” Anders Olofsson. | ||||||||
| Omkonst, “Sevärt i november” Susanna Slöör. | |||||||||
| 2006 | Daily Telegraph, “Art Sales” Colin Gleadell. |
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| 2005 | Turps-Banana, “John Moores 23 Walker Art Gallery” Alistair Robinson. | ||||||||
| St. Petersburg Times, “Art’s Modern London Bridges” Lennie Bennett. | |||||||||
| Firstsite Critical Paper, “Naughty Puppies” Martin Herbert. | |||||||||
| 2004 | The Sunday Times, “The East End Academy” Waldemar Januszczak. | ||||||||
| The Tmes, “A Little of What You Fancy” Rachel Campbell-johnston. | |||||||||
| The Guardian, “E..Is For Art” Caroline Roux. | |||||||||
About the work. “The only fertile research is excavatory, immersive, a contraction of the spirit, a descent.” Samuel Beckett. Beckett described his short stories as “Bottled Climates”, His work within the confines of a stage set are often a starting point for me, the idea that there is some kind of airless containment where things may or may not happen. My Paintings are usually oil on wood and begin with loose paint and are often process-led, the urge is to experiment to find something I didn’t know. I delve deep into the rooms that that appear, they feel like they come from my gut and I’m digging up an internal topography. Within these imagined spaces I am able to explore a theme and/or a feeling that is a current concern, be it frenzy and apathy, decay and materiality, pattern and chaos, absurdity and love. It is a private re-enactment of the outside world and acts as a way to ask questions on humanity. |
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